Events

Department Exhibition: Distinguished Works

Youth Academy 2018

June 23, 2018, 14:00-16:00

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Benim Adım İç Mekan: Yarat Beni-Kullan Beni-Yaşa Beni”

İç Mimarlık ve Çevre Tasarımı Bölümü, öğretim görevlileri Yrd. Doç. Dr. Semiha Yılmazer, Dipl. Ing.Tijen Sonkan Türkkan ve Y. Mim. Şule Aybar tarafından organize edildi. Yüksek lisans öğrencilerimiz Bengisu Güral, Ela Fasllija, Samah Obeid, Esra Kürkçü, Cemre Orhan ve misafir olarak Simin Türkkan çalışmalarımıza katıldı. Bu sene üç ayrı sınıf düzenlendi ve toplam 75 öğrenci ile tanıtım çalışması yapıldı.

Department Exhibition: Distinguished Works

Exhibition

February 26, 2018 - March 5, 2018
FADA Exhibition Hall, 12:30

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CONSTRUCTION & MATERIAL STUDENT WORK

Student groups produced both a full size model of their choice of a cat, dog kennel or a bird cage/feeder, and a poster to present construction drawings and explanations of the materials through the end of the fall semester of 2017-2018. While, they experienced the hands on project, they also experienced the feeling of reaching to needy animals. They donated their projects to local ‘Animal Shelter’ in Ankara, through the help of the students who work at Society of Social Responsibilty Projects of ID Bilkent University, (TDP) voluntarily.

Construction & Materials IAED 251

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CONSTRUCTION & MATERIAL STUDENT WORK

Student groups produced both a full size model of their choice of a cat, dog kennel or a bird cage/feeder, and a poster to present construction drawings and explanations of the materials through the end of the fall semester of 2017-2018. While, they experienced the hands on project, they also experienced the feeling of reaching to needy animals. They donated their projects to local ‘Animal Shelter’ in Ankara, through the help of the students who work at Society of Social Responsibilty Projects of ID Bilkent University, (TDP) voluntarily.

Seminar

Dr. Ekin Pınar

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Tacita Dean’s 11-minute moving image installation titled FILM opened at Tate Modern in the October of 2011. Propelled by the impending obsolescence of the analogue film format in the face of the rise of the digital, Tacita Dean made a “portrait of the film itself” in her 11-minute moving image installation titled
FILM. Such self-reflexivity has almost exclusively shaped the existing scholarship on FILM, even though Dean designed the in installation specifically for Tate Modern’s Turbine Hall. Yet, without a comprehensive consideration of the profound relationship between Dean’s moving image installation and the architecture as well as the history of Turbine Hall, any attempt to analyze FILM overlooks the broader cultural and historical
ramifications of the work. In Through a close visual analysis of both FILM and its exhibition space, I argue that Dean’s work sets up a complex relationship with the Turbine Hall not merely through its scale and positioning, but also, and more profoundly, through its pronounced emphasis on the tension between indexicality and animation. Furthermore, FILM Imposes an implicit critique to the museum institution and its politics of spectacle. Unlike other commissioned works of Unilever Series at Turbine Hall such as Olafur Eliasson’s The Weather Project (2003), Ai Weiwei’s Sunflower Seeds (2010), and Rachel Whiteread’s Embankment (2005), FILM neither perceptually transforms the vast space of the Turbine Hall, nor is it dwarfed by it. Instead, the installation connects to its viewers in intimate, non- spectacular ways that relies on tactility. Focusing on the spatial and institutional politics of FILM, I intend to question the implications and limitations of “site-specificity” in the contemporary art scene while reconsidering the art and museum world’s loosely-defined concepts of “public” and “public space.

Conference & Workshop

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WORKSHOP
Consistently with the conference given by Carlo Branzaglia on Feb. 28th, the workshop (six hours) dealt with the task of monitoring and suggesting innovative ways of communicating the idea of sustainability, in terms of its different aspects: social, environmental, economical ones.

Shifting Perspectives and Emerging Directions in Architectural Design Pedagogy

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Contemporary Housing Transformations and Urban Dynamics on the Arabian Peninsula

Lecture

Prof. Ashraf M. Salama

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Department Exhibition: Distinguished Works

Exhibition

February 27, 2017 - March 8, 2017
FADA Exhibition Hall, 12:30

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IAED STUDENT WORKS EXHIBITION

The projects, those are performed during 2016-2017, 
ranging from the grade 1 to 4 by  the students of Interior 
Architecture and Environmental Design Department were displayed at the 
Faculty of Art, Design, and Architecture exhibition hall between 
February 27 - March 07, 2017.

It was a great opportunity for the visitors, to examine the creative 
development of interior architecture and environmental design students 
which was shared with a variety of outputs from featured drawings and 
sketches to models and computerized three dimensional screenings.

Furniture Design & Wooden Chair Fabrication

Lecture

Guilio Cappellini
October 18, 2016
FF B22, 10:30

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Furniture Design & Wooden Chair Fabrication

Abstract

MICHAEL THONET (1841-1934) and ALVARA ALTO (1898–1976), two brilliant designers. The first one was a talented craftsman-cabinet maker, and the other one was one of the most famous architects who integrated custom furnishings into his buildings and interior spaces. Regardless of their academic background or professional affiliation, these individuals are renowned for innovative furniture designs. Consider the viewpoints brought to furniture design by these individuals and the unique disciplinary qualities within the fields of applied arts, interior and industrial design. There are pronounced differences in the way architects and interior designers create a sense of place by designing, selecting, and locating furniture; in the way industrial designers seek to resolve industrial fabrication processes and integrate utility, human factors, and ergonomics in design; and in the way that artists are trained in their craft. Many individuals and disciplines contribute to the body of knowledge of
furniture design. Think about the influence that material properties, use, applied forces, the surrounding environment, and ergonomics have on furniture design. Reflect upon the historical, cultural, political, and societal conditions revealed in the way people sit, rest, work, and play, or the human factors research and anthropometric data on which furniture designers rely. Many factors should be considered when designing furniture. Most are situated within personal, cultural, disciplinary, and professional frames of reference. The primary intention of this seminar is to articulate how ideas, use, design process, materials, and fabrication methods contribute to furniture design. How to deal with manufacturing chairs, using solid wood and plywood. Difference and benefits from both materials which are still central themes in furniture production. It is the hope that this seminar will remain a useful survey for all, especially for design students and fabricators interested in furniture design.

Short Bio

Born in Republic of Serbia 1965. Interior architect and educator with over 25 years of experience in high-end design industry and higher education. Educated at the University of Arts Belgrade (BA, MA in Interior Architecture) and National Technical University of Athens (PhD in Furniture Design), he has integrated the highest calibre international methods of teaching into his courses. In conjunction with internationally acclaimed architecture firms, his professional work has received several design awards. His work has been exhibited internationally in Berlin, Milan, Bologna, Athens, Monaco, Montevideo, and Montreal. He has appeared in eleven books, two journal monographs, and over 20 journal articles. Lived and worked in Mongolia, China, Vietnam, Cyprus, and since 2016 is permanently based in Athens, Greece.

Master Class on Italian Design

Lecture

Guilio Cappellini
October 18, 2016
FF B22
10:30

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"The new design era, how to defend the made in Italy - How the approach to product design and communication has changed through the years, according to the new social/cultural assets. The role of school education towards a constantly evolving future."

by Arch. Giulio Cappellini, architect and Art Director at Istituto Marangoni The School of Design

Dress for Comfort

Design Contest

Italian Embassy and Bilkent University
Submission Date:
October 8, 2016